"'Ukulele Story" By Herb Ohta, Jr.

COMPACT DISC

$18.00

DIGITAL FILES

$10.00

DIGITAL FILES INCLUDES CD GRAPHICS

00:00
00:00
  1. 01 Blue Sky
  2. 02 Daydream
  3. 03 Cruisin'
  4. 04 E Kuʻu Sweet Lei Poina ʻOle
  5. 05 Ka Makani O Koʻolau
  6. 06 ʻOhana Pōpoki
  7. 07 Mālie
  8. 08 Lele Groove
  9. 09 Through The Eyes of Love
  10. 10 Puamana
  11. 11 Keauhou
  12. 12 Master Blaster (Jamminʻ)

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PRODUCTION CREDITS:
Executive Producer: Herb Ohta, Jr.
Producer(s): Herb Ohta, Jr. & Michael Grande
Recording Engineer: Michael Grande
Mix: Michael Grande
Mastering: Michael Grande
Photography: Kumagai Akira, Jam International
Graphics: Yuko Porter, Media Etc.
Recording Studio: ʻUpena Production Network
Liner Notes: Jake Shimabukuro

GUEST MUSICIANS:
Jon Yamasato - Guitar
Wil Tafolo - Bass
Jon Porlas - Percussions
Kapono Lopes - Steel Guitar
Jeff Peterson - Slack-Key Guitar
Shawn Pimental - Drums
Dean Taba - Bass
Michael Grande - Keyboards, Piano, Bass
Jake Shimabukuro - ʻUkulele

LINER NOTES:

“I am what I am because of you,” often expressed in its native tongue, okage-sama-de, is a phrase I use often when I speak of ʻukulele virtuoso and friend, Herb Ohta Jr.

Herb is a man of few words, but his superb artistry speaks for itself. With seven Nā Hōkū Hanohano awards to his credit, Herb continues to serve a significant role in the development of the modern ‘ukulele genre.

When Herb was a teenager, a recording of the Mākaha Sons of Niʻihau profoundly inspired him and ignited a passion for playing traditional Hawaiian music. This experience set him on a path similar to that of Eddie Kamae, the Godfather of modern ʻukulele playing. “Uncle” Eddie was a mentor to Herb Jr. and his father, Herb Sr., also known as “Ohta-San,” one of the greatest virtuosos of the instrument.

“ʻUkulele Story”, Herb’s 16th solo album, is a bold exploration that pushes the boundaries of the four-string, two-octave instrument. With an all-star lineup of musicians that include Jon Yamasato, Wil Tafolo, Jon Porlas, Kapono Lopes, Jeff Peterson, Shawn Pimental, Dean Taba, and Michael Grande, the album is charged with a variety of textures and musical influences.

The tone and resonance of Herb’s bell-shaped Kamaka tenor is unmatched and truly shines on tracks like
Mālie and Through the Eyes of Love. On Ka Makani O Koʻolau and Puamana, the combination of the ʻukulele and the Hawaiian lap steel guitar is breathtaking and truly magical. On Keauhou, the delicate interplay between the piano and ‘ukulele is absolutely stunning. Part of Herb’s signature sound is the inclusion of the low fourth string - reminiscent of his father who is credited with pioneering the modern “low G” tuning. Herb is a master at effortlessly utilizing the added range in his arrangements of diverse genres. The lower pitched string, is apparent on his interpretation of Stevie Wonder’s classic, Master Blaster - a track he invited me to join him on. Herb’s feel and groove is spot on, and we had a “blast” recording that in the studio together. Herb’s mastery as a gifted composer truly shines in “ʻUkulele Story,” with eight original compositions, ʻOhana Pōpoki, Mālie, Ka Makani O Koʻolau, Keauhou, Blue Sky, Lele Groove, Daydream, and Cruisin’. His melodic sense is profoundly rich and communicates a deep understanding of his legacy and lineage – connecting the past and present while inspiring the next generation of ʻukulele players.

I have always regarded Ohta-San as my biggest inspiration for playing the ‘ukulele. Though I have never had the honor of collaborating with him, I am grateful for the many opportunities that I’ve had to perform with and learn from his son. Herb is truly a master, and his musicianship continues to inspire ‘ukulele players all over the world - and I am simply one of them.
Okage-sama-de - I am what I am because of you.

Aloha,
Jake Shimabukuro




MESSAGE:

2025 marks 35 years for me as a professional musician. With
ʻUkulele Story, I’ve now released 16 solo recordings, 13 duet recordings, contributions on more than 40 recordings, a songbook in Korea, and two instructional books. It's amazing to think that I'm still in this business. What water is for your body, music is for your spirit and soul. This is why I continue to share music with the 'ukulele.

This recording is dedicated to
Kamaka Hawaiʻi, and in memory of DJ Pratt.

Aloha
Herb, Jr.

Star Advertiser
February 10, 2025

Review By John Berger

Stacks Image 117228
When the child of a famous entertainer chooses to go into the same line of work, it’s almost inevitable that comparisons will be made between parent and child. There are also likely to be snarky comments alleging that whatever success the “nepo baby” has achieved came about because the parent pulled some strings.

Thirty-five years after his first commercial recording, Herb Ohta Jr. has proved beyond doubt that he is his own man with his own instrumental style and an impressive resume as a musician, songwriter, recording artist and record producer with seven Nā Hōkū Hanohano Awards to date.

Ohta’s new album,“‘Ukulele Story,” released earlier this year, reaffirms his strength in all areas.

Eight originals document his prowess as a composer. Four remakes display his imagination as an interpreter of other composers’ work.

Ohta’s delicate yet precise musicianship on “Through the Eyes of Love” makes his version of the Marvin Hamlisch-Carole Bayer Sager pop classic a perfect pick for play on “easy listening” radio and streaming services nationwide.

Hōkū Award-winning slack-key virtuoso Jeff Peterson sits in with him on a beautiful treatment of Emma De Fries’ “E Ku‘u Sweet Lei Poina ‘Ole.” Three more Hōkū Award winners, Michael Grande, Shawn Pimental and Jon Yamasato, are among the other musicians backing Ohta on various songs.

And then there’s Jake Shimabukuro and Dean Taba joining Ohta and the studio crew on a reworking of Stevie Wonder’s 1980 hit, “Master Blaster (Jammin’),” which closes the album in impressive style.

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